Fourteen arias from the opera repertoire arranged for SAB choir with piano.
Will you dare singing opera solo arias in choir ? Check with this collection, arrangements for SAB choir and piano of the greatest arias of all times.
Pieces carefully chosen and accurately arranged by Emmanuel Robin for easy / intermediate level choirs.
Singing opera in chorus? Yes, but...
Opera choruses are often difficult, requiring a demanding technique, heroic tessituras. At other times, they privilege the mass effect on detriment of vocality, and intermediate and low voices are more regularly singing boring fills than enthusiastic phrasing...
So, what shall we do? Well, let's sing the soloists' arias instead!
In the tradition of the songbooks collection "Oser...", this outstanding collection of the greatest tunes, arranged for three mixed voicesand piano. A constant concern has been brought to the vocality, to the pleasure of the phrasing, to the theatricality. The themes are distributed among all voices, and the accompaniments are real counterpoint. The piano accompaniment can be performed by a good pianist without too much difficulty.
Contents:
- La garde montante - Carmen (1875) / BIZET (1838-1875)
- La mort de Didon - Dido & Aeneas (1689) / PURCELL (1659-1695)
- Lascia ch’io pianga - Rinaldo (1711) / HAENDEL (1685-1759)
- Piangerň - Giulio Cesare in Egitto (1723) / HAENDEL (1685-1759)
- Ombra mai fů - Serse (1738) / HAENDEL (1685-1759)
- Voi che sapete - Le Nozze di Figaro (1786) / MOZART (1756-1791)
- L’ho perduta me meschina - Le Nozze di Figaro (1786) / MOZART (1756-1791)
- Notte e giorno faticar - Don Giovanni (1787) / MOZART (1756-1791)
- Deh vieni alla finestra - Don Giovanni (1787) / MOZART (1756-1791)
- Una furtiva lagrima - L’elisir d’amore (1832) / DONIZZETTI (1797-1848)
- La donna č mobile - Rigoletto (1851) / VERDI (1813-1901)
- Habanera - Carmen (1875) / BIZET (1838-1875)
- La garde descendante - Carmen (1875) / BIZET (1838-1875)
- Ouvrons vite une bouteille / MOZART (1756-1791)
Label "Chant des séniors"
